Friday, January 30, 2015
Hey nerds! Sorry about the delay in my Wizard World Portland recap post. It's been crazy busy hashing out these last minute Comic Book Swap Meet details. The recap will go up very soon. It will also be followed by an interview with displayed/designer Jessica Merizan from Crabcat Industries. You might have seen her on Syfy's Heroes Of Cosplay! She was a great interview, and glad to call her a friend now! Stay tuned, but for now:
Wednesday, January 28, 2015
Interview with the Bully's Bully creator, James Taylor
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| James Taylor self portrait |
The Steve Strout: Let's jump right in and talk about yourself. Tell us a little bit about your artistic background? Self taught? Art School?
James Taylor: I bounced around colleges following different professors (for different disciplines of art). Though I ended with a degree in Fine Art with an emphasis in Graphic Design and minored in business.
I went the four college route, wanting a border education than what an art school could offer.
TSS: You mention an emphasis on graphic design. How much of that ability goes into your "comic" art, and can you briefly break down the steps you take from start to finish on a comic page or panel (pencil, ink, scan, color,etc??
JT: Graphic design definitely helps in laying out a page and adding a design/graphic element to the panels/page. Visualizing the page as a whole and not just panel by panel and more than just the flow of the panels.
I think training in any of the art disciplines helps make you a better artist - such as a better understanding of shape and form from ceramics / sculpting that can translate to paper/canvas.
Also understanding print design helps in setting up the files for the publisher so that my end of the project looks good when printed.
Most of my career in comics, I worked as an inker. With that I study the penciller and figure out what I want to do with their style and find a common ground between their style, my artistic style and the mood of the story
When penciling I basically break down the story by page and get a flow going. Then break down each page into thumbnails and then move on to the finished pencils and inks.
I rarely color except my own work, I know too many great colorists that I’d just rather them work over the page. So I scan in the page and email it off to a colorist.
I think training in any of the art disciplines helps make you a better artist - such as a better understanding of shape and form from ceramics / sculpting that can translate to paper/canvas.
Also understanding print design helps in setting up the files for the publisher so that my end of the project looks good when printed.
Most of my career in comics, I worked as an inker. With that I study the penciller and figure out what I want to do with their style and find a common ground between their style, my artistic style and the mood of the story
When penciling I basically break down the story by page and get a flow going. Then break down each page into thumbnails and then move on to the finished pencils and inks.
I rarely color except my own work, I know too many great colorists that I’d just rather them work over the page. So I scan in the page and email it off to a colorist.
TSS: What other mediums do you work in?
JT: I do paintings, mostly with ink wash. I love black-n-white art and playing with the medium of ink and trying to do different things. That's more of my gallery type work. I also paint with watercolor and oil but need to do more.
Of course I work in comics.
I haven’t done pottery in some years, that’s something I’d like to get back to. I moved into a smaller house and just don’t have the room for the equipment.
TSS: Tell us about some of the projects your working on now, such as the Bully's Bully.
JT: A few years ago, along with my co-creator Courtney Huddleston, I embarked on my first creator owned comic in The Bully’s Bully (www.bullysbully.com) Courtney approached me about doing a comic about bullying as his daughter has some issues with bully’s at school. Originally we were going to make it very violent, in the vein of Kick-Ass, but wisely decided to tone it down as we felt we could send a better message about bullying.
The Bully’s Bully is a silent comic, no words, as we wanted to push ourselves artistically and tell the story without dialogue. Which we’ve gotten a lot of great feedback on from teachers as kids can develop the dialogue and hear many stories from those that were bullied in school
We did a kickstart campaign a little over a year ago and published the first volume and are currently working on the 2nd and possibly 3rd book.
I’m also currently working on the web comic Decoy (www.decoyonline.com) as an inker for Penny Farthing Productions. It’s a title I used to work on back when they were doing printed books at PFP, which I had a lot of fun on and a pleasure working on again with a great creative team.
Then I just have my day job of Marketing Manager in the fishing rod industry and running Jet City Comic Show.
TSS: You mention running the Jet City Comic Show, which is a great comic convention here in the Northwest that still sticks to the comic book theme. Thanks for that. I'd also like to thank you here for your advice on the upcoming Comic Book Swap Meet, which is the mini con that I present. So, thanks a million James.
Since I'm on the topic of the Comic Book Swap Meet, as a guest, what will you be offering at your table?
TSS: I always like to ask comic creators, if they could choose, what comic or character would they like to work on?
JT: I never really got to work on horror comics, a little bit but not the type I’d preferred. I think working on an old EC style horror comic would be a lot of fun.
But for a specific character I think either Swamp Thing or Doctor Strange, I never read either of them too much but you could do a variety of stories with them from dark to light themes.
TSS: Before we wrap up, I want to give you the chance to share anything, give advice, plug something, or anything you'd like. The floor is yours, Sir.
Of course I work in comics.
I haven’t done pottery in some years, that’s something I’d like to get back to. I moved into a smaller house and just don’t have the room for the equipment.
TSS: Tell us about some of the projects your working on now, such as the Bully's Bully.
JT: A few years ago, along with my co-creator Courtney Huddleston, I embarked on my first creator owned comic in The Bully’s Bully (www.bullysbully.com) Courtney approached me about doing a comic about bullying as his daughter has some issues with bully’s at school. Originally we were going to make it very violent, in the vein of Kick-Ass, but wisely decided to tone it down as we felt we could send a better message about bullying.
The Bully’s Bully is a silent comic, no words, as we wanted to push ourselves artistically and tell the story without dialogue. Which we’ve gotten a lot of great feedback on from teachers as kids can develop the dialogue and hear many stories from those that were bullied in school
We did a kickstart campaign a little over a year ago and published the first volume and are currently working on the 2nd and possibly 3rd book.
I’m also currently working on the web comic Decoy (www.decoyonline.com) as an inker for Penny Farthing Productions. It’s a title I used to work on back when they were doing printed books at PFP, which I had a lot of fun on and a pleasure working on again with a great creative team.
Then I just have my day job of Marketing Manager in the fishing rod industry and running Jet City Comic Show.
TSS: You mention running the Jet City Comic Show, which is a great comic convention here in the Northwest that still sticks to the comic book theme. Thanks for that. I'd also like to thank you here for your advice on the upcoming Comic Book Swap Meet, which is the mini con that I present. So, thanks a million James.
Since I'm on the topic of the Comic Book Swap Meet, as a guest, what will you be offering at your table?
JT: Anytime, I enjoy the industry and love helping out other conventions as I’ve been in the industry for a long time. If I can help save someone some trouble on their convention, comic or something else I gladly give advice just as other did for me.
I will have some books I worked on, mainly The Bully’s Bully and a few Decoy graphic novels as well. I’ll have prints of some of my artwork as well as some original art and comic pages for sale.
TSS: What are you hoping to get out of the Comic Book Swap Meet, and what other upcoming conventions are you appearing at?
I will have some books I worked on, mainly The Bully’s Bully and a few Decoy graphic novels as well. I’ll have prints of some of my artwork as well as some original art and comic pages for sale.
TSS: What are you hoping to get out of the Comic Book Swap Meet, and what other upcoming conventions are you appearing at?
JT: Honestly I just want to help spread the “love” of comics out here on the peninsula - I’m all about the growth of the industry and exposing comics and comic art to a new audience. There’s not many stores nearby (I miss that single moving out here), most are hour or more away so hopefully I get to meet some new people and creators while having some fun.
I’ll be at Amazing Arizona Comic Con February 13-15 and most likely Bellingham ComiCon in October. Probably will be working a few other conventions and art festivals, depending on my schedule.
I’ll be at Amazing Arizona Comic Con February 13-15 and most likely Bellingham ComiCon in October. Probably will be working a few other conventions and art festivals, depending on my schedule.
TSS: I always like to ask comic creators, if they could choose, what comic or character would they like to work on?
JT: I never really got to work on horror comics, a little bit but not the type I’d preferred. I think working on an old EC style horror comic would be a lot of fun.
But for a specific character I think either Swamp Thing or Doctor Strange, I never read either of them too much but you could do a variety of stories with them from dark to light themes.
TSS: Before we wrap up, I want to give you the chance to share anything, give advice, plug something, or anything you'd like. The floor is yours, Sir.
JT: Obviously stop by the Comic Book Swap Meet and say hi and checkout everyone’s artwork and the vendor tables.
Check out the current chapter of The Bully’s Bully, it’s probably our most talked about story arc. You can check out the beginning of it at:
www.bullysbully.com/comic/bb5-cover
Also keep your eyes peeled for updates on Jet City Comic Show in a few months. Will be launching a new website and making announcements. www.jetcitycomicshow.com
TSS: Thanks for the time and we will see you this weekend!!
Steve Strout is the media mastermind behind this site, host of the Comic Book Swap Meet, nerd, terrible artist, gamer, convention goer and comic book reader who spends more time rescuing toys from thrift shops than a normal adult should. He is also known around the northwest for his promotion of live music and stand-up comedy events and is the creator/producer of the Comic Book Swap Meet mini convention, and Olympic Peninsula Comedy Competition (which will make it's big return in 2015). Follow him on Instagram at http://instagram.com/thestevestrout, and He can be reached for comments at ptcomedy@yahoo.com on twitter at @thestevestrout
Check out the current chapter of The Bully’s Bully, it’s probably our most talked about story arc. You can check out the beginning of it at:
www.bullysbully.com/comic/bb5-cover
Also keep your eyes peeled for updates on Jet City Comic Show in a few months. Will be launching a new website and making announcements. www.jetcitycomicshow.com
TSS: Thanks for the time and we will see you this weekend!!
Steve Strout is the media mastermind behind this site, host of the Comic Book Swap Meet, nerd, terrible artist, gamer, convention goer and comic book reader who spends more time rescuing toys from thrift shops than a normal adult should. He is also known around the northwest for his promotion of live music and stand-up comedy events and is the creator/producer of the Comic Book Swap Meet mini convention, and Olympic Peninsula Comedy Competition (which will make it's big return in 2015). Follow him on Instagram at http://instagram.com/thestevestrout, and He can be reached for comments at ptcomedy@yahoo.com on twitter at @thestevestrout
Monday, January 19, 2015
Joe David Thompson visits the Marvel Experience...
Our main review guy, Joe David Thompson, recently brought his family to the Marvel Experience touring show and wanted to review and share the experience! Sounds exciting to me! Enjoy, and check it out at a stop near you!
Oh and Northwest friends, don't forget about the Comic Book Swap Meet on January 31st!- Steve!
Review by Joe David Thompson
This past Christmas, we gave our Marvel obsessed daughter tickets to the Marvel Experience. Dallas is the first major stop on the tour's run and tickets are affordable (more on that in a bit), so it felt like a win. So we hit Fair Park in Dallas this weekend to see what kind of adventure was in store for us.
Oh and Northwest friends, don't forget about the Comic Book Swap Meet on January 31st!- Steve!
Review by Joe David Thompson
This past Christmas, we gave our Marvel obsessed daughter tickets to the Marvel Experience. Dallas is the first major stop on the tour's run and tickets are affordable (more on that in a bit), so it felt like a win. So we hit Fair Park in Dallas this weekend to see what kind of adventure was in store for us.
We were greeted by a compound like collection of seven large domes, each connected by pathways. Our first stop was to one of the number of touch screen computers to register as an agent of SHIELD. You give it some information, and it generates an agent ID card that is emailed to you (and you can buy for $10 at the end of the experience). We were also given a black wristband containing the RFID chip, although that functionality wasn't available for our visit, which was a mild bummer. I heard there were issues with the tech, which prompted the tour to a short postponement, so hopefully this functionality will be in effect soon.
With the busy work out of the way, we joined the line, after posing for a souvenir photo op, and were soon led into the first of the seven domes and begin to be immersed in the story. We learn that Earth was under the attack of a robot able to replicate the powers of the Marvel heroes, dubbed a Super-Adaptoid by Spider-Man. When the Super-Adaptoid was destroyed in the sky, wreckage and shrapnel scattered over America. As potential recruits, we were tasked with completing our agent training and sifting through the wreckage to learn more about this threat.
From there, we entered the fourth dome, which is the largest and arguably the one where you'll spend the majority of the Iron Man helmets, Loki's specter, or Black Panther’s scythe. The remainder of the open space is filled with different games: a Spider-Man themed rock climbing wall where you chase Venom up the side of a building, the Black Widow agility maze where you navigate lasers in a small space, and a favorite of our daughter and friend, the Avengers Encounter, where you can summon a virtual hero for quick photo ops. The Holo-Blasting Training Simulator is a theater that holds around 24-26 people at a time where you use special guns outfitted with sensors to practice shooting and web slinging. And there are two Kinect type games where you can smash things along with Hulk or pilot the Iron man suit through a canyon. However, these last three experiences I can't really speak to as we never got a chance to try them out, which brings me to my biggest problem with the Marvel Experience: the crowds.
It's no surprise that this is a popular attraction. To that end, the event is structured around a time schedule, where attendees begin the experience at thirty minute intervals. Our tickets were for ten that morning and we entered the main dome just a little past 10:30. At this point, the crowd was minimal, but mere moments later the Holo-Blaster, Iron Man flight, and Hulk smash lines were fit to burst with long wait times. Event staff tried to accommodate this in some areas by encouraging anyone standing around to continue onto the next part of the experience, so, in the case of our Black Widow line, only allowing people to enter in pairs. Still, the lines were discouraging and our girls decided to not do some things rather than wait. There is an option if you wish to avoid these lines, which is purchasing the VIP tickets, which, among other premiums and swag, allows you to skip to the front of all lines like a Fast Pass at Disney. This wasn't an option for our humble budget, so we missed some of the experience as a cost. Just something to consider when buying tickets.
It also bears mentioning the incredible staff working our event. For the majority of our time there, each person we came into contact with remained "in character," calling us agents and doing their part to support the "experience" part of the Marvel Experience. Only a few times did this fall flat, such as the staffer who went around encouraging us to move on when we were faced with long lines, or, during a pivotal tense moment in the Experience's narrative, a staff entered one of the walkways through a side door and shattered a bit of the illusion. Timing is still everything...
I had to constantly remind myself that the Marvel Experience is targeted WAY more towards younger fans. Our girls were close to thirteen and had a great time, as did all the younger kids there, due in large part to the staff. Still, there are moments when the storyline is supposed to be tense, and at the same time, that pauses so we can be shuttled into another room. The larger issue with this is that most of the tech and props that tell the story is way too visible between domes, so we truly can "see the strings" being pulled behind the illusion. I'm not talking about sharp eyed visitors who look for them, just walking from one dome to the next only requires a turn of your head to dispel the atmosphere.
Now I already mentioned our daughter has a Marvel obsession, along with other notable geeky loves, but her Marvel interest has always skewed towards the movies. The books are so stepped in an extremely rich universe that entry points are hard for her to come by (although we're going to try Captain Marvel next). The Marvel Experience takes strides in bridging that gap between book and film fans by incorporating characters that haven't been in the films, such as She-Hulk and Iron Fist, as well as one with a movie coming soon, Black Panther. There's plenty of opportunists to learn more about these characters' origins throughout the fourth dome as well as a "secret files" section, full of comic covers from across the years.
My criticisms are truly minimal about the Marvel Experience. None of these left our party with a bad impression, save for the bummer of not getting to do all that was available in the training room. In fact, the girls raved about it to anyone they came across that afternoon.
Joe David Thompson has been doing media reviews for websites such as Red Carpet Crash and the 405 Music Blog. For any questions or comments for Joe David Thompson, you can email him at jovid52@me.com and follow him on twitter @jovid52
Joe David Thompson has been doing media reviews for websites such as Red Carpet Crash and the 405 Music Blog. For any questions or comments for Joe David Thompson, you can email him at jovid52@me.com and follow him on twitter @jovid52
Saturday, January 17, 2015
Interveiw with IDW's TMNT Writer/Editor, Bobby Curnow
I recently had the opportunity to do a quick Q&A with Bobby Curnow. Mr. Curnow is currently writing IDW's TMNT series. With the upcoming Free Comic Book Day TMNT release, a milestone issue #50, and big story arcs looming, I figured it would be a good time to chat a little with Bobby Curnow. Enjoy.
Bobby Curnow-Our FCBD issue is part of our ongoing TMNT series, falling roughly between TMNT #46 & 47, so it fits chronologically with the issues that come out before and after it. The issue will act as a recap primer for folks who are unfamiliar with the series, but looking for a jumping on point, while at the same time providing brand new pages that move the story forward, for those who are up to date. So ideally something for everyone, and a good place to jump on as we move towards our final story line leading to TMNT #50 in the fall.
TSS- The descriptions I've read give mention to this being the final battle with Shredder? I grew up loving the Turtles, and it just don't seem right with out the Shredder? What can be told about that angle?
BC- I don't know that 'final' is an accurate description of what we're leading to. However, TMNT #50 will be the culmination of many plot lines that were started with TMNT #1. Many different conflicts will be coming to a head over the next issues.
TSS- What does the future have in store for the series? Anything inside scoop you can drop on us?
BC-The events leading up to TMNT #50 will see the Turtles at their lowest point. After TMNT #50, the status quo will be significantly altered. Those are kind of cliches you hear when editors talk about big upcoming storylines, but hopefully by now readers know that we have a strong focus on the characters— and each character will be going through some major drama.
TSS- You've been the editor, writer, and letterer for the TMNT titles. Have you worked as long and with as much responsibility with any other comic series'?
BC-Can't take claim for any lettering— that's all the fantastic Shawn Lee for our TMNT titles. TMNT is indeed my longest running series, by over a year.
TSS-Do you have any involvement in the current television series?
BC-No, none at all, though I'm happy to say I've met Ciro and worked with some of the writers and storyboard artists on our New Animated Adventures spin-off comic. I'm a big fan of the show, it's ton of fun.
TSS- Do Eastman and Laird have any input or influence in the TMNT comics anymore?
BC- Peter Laird does not, no, by his own choice. Kevin Eastman, however, we meet with regularly for brainstorming sessions. He also provides a cover for each issue of the ongoing series and the occasional Annual story. It's wonderful having him involved.
TSS- As busy as this book must keep you, do you have time to work on any other comics, and if so, what other titles?
BC-Yes, I work on several other lines— My Little Pony, Godzilla, and usually about one creator-owned book a month. I also have a couple personal projects in the works at any given time.
TSS- What do you feel is the hardest part of making deadlines and getting your end of the creative process done?
BC-Everyday life! Right now I'm in a big crunch, deadline-wise, because we are coming out of the holidays, and that slows everyone down. Deadlines never go away, so it's a constant struggle to keep on track.
TSS- Are you currently into any comics, if so what books?
BC-I usually buy 7-10 comics a week, so I read a lot. Besides IDW books, I read a lot of Marvel and Image books. Usagi Yojimbo is my favorite comic of all time.
TSS- If you could write for any comic book artist out there right now, who would it be?
BC- It's a long list, but i'd love to work directly with Valerio Schiti again, who did the art on a comic I wrote called "Battle Beasts". Unfortunately he's currently working with some unknown named Brian Michael Bendis on "Guardians of the Galaxy". He's slumming it, I guess.
TSS- Any advice for newcomers in the comic book industry?
BC- It's simple but very hard: just make comics. Any which way you can. Doesn't matter if they are stapled together at Kinkos, just complete a story and get it to exist in physical form. Seeing things through to completion, even if the end result is kind of crappy, is key. Then do it again, and again, and again. Eventually, if you have the determination to stick with it, you'll get good. And if you are legitimately good, you will get noticed— it's still a pretty small industry.
TSS- What was your first paid industry gig?
BC- An Assistant Edtior at IDW— a little over 5 years ago.
TSS- I always like to open the floor to my interview subjects to share and/or plug anything or offer advice...Anything you'd like to get out there?
BC- Just a very heartfelt thanks to all of the TMNT fans out there. It's a tremendous honor to be nearing the #50 mark, and to have such wonderful, creative, supportive fans.
theSteveStrout- I want to start the interview by thanking you for taking the time out of your busy schedule. Let's jump right in and talk about the upcoming Free Comic Book Day in May, and your involvement in the TMNT FCBD issue.
First thing I want to know, is if this is a stand alone issue or part of an ongoing story arc?
First thing I want to know, is if this is a stand alone issue or part of an ongoing story arc?
Bobby Curnow-Our FCBD issue is part of our ongoing TMNT series, falling roughly between TMNT #46 & 47, so it fits chronologically with the issues that come out before and after it. The issue will act as a recap primer for folks who are unfamiliar with the series, but looking for a jumping on point, while at the same time providing brand new pages that move the story forward, for those who are up to date. So ideally something for everyone, and a good place to jump on as we move towards our final story line leading to TMNT #50 in the fall.
TSS- The descriptions I've read give mention to this being the final battle with Shredder? I grew up loving the Turtles, and it just don't seem right with out the Shredder? What can be told about that angle?
BC- I don't know that 'final' is an accurate description of what we're leading to. However, TMNT #50 will be the culmination of many plot lines that were started with TMNT #1. Many different conflicts will be coming to a head over the next issues.
TSS- What does the future have in store for the series? Anything inside scoop you can drop on us?
BC-The events leading up to TMNT #50 will see the Turtles at their lowest point. After TMNT #50, the status quo will be significantly altered. Those are kind of cliches you hear when editors talk about big upcoming storylines, but hopefully by now readers know that we have a strong focus on the characters— and each character will be going through some major drama.
TSS- You've been the editor, writer, and letterer for the TMNT titles. Have you worked as long and with as much responsibility with any other comic series'?
BC-Can't take claim for any lettering— that's all the fantastic Shawn Lee for our TMNT titles. TMNT is indeed my longest running series, by over a year.
TSS-Do you have any involvement in the current television series?
BC-No, none at all, though I'm happy to say I've met Ciro and worked with some of the writers and storyboard artists on our New Animated Adventures spin-off comic. I'm a big fan of the show, it's ton of fun.
TSS- Do Eastman and Laird have any input or influence in the TMNT comics anymore?
BC- Peter Laird does not, no, by his own choice. Kevin Eastman, however, we meet with regularly for brainstorming sessions. He also provides a cover for each issue of the ongoing series and the occasional Annual story. It's wonderful having him involved.
TSS- As busy as this book must keep you, do you have time to work on any other comics, and if so, what other titles?
BC-Yes, I work on several other lines— My Little Pony, Godzilla, and usually about one creator-owned book a month. I also have a couple personal projects in the works at any given time.
TSS- What do you feel is the hardest part of making deadlines and getting your end of the creative process done?
BC-Everyday life! Right now I'm in a big crunch, deadline-wise, because we are coming out of the holidays, and that slows everyone down. Deadlines never go away, so it's a constant struggle to keep on track.
TSS- Are you currently into any comics, if so what books?
BC-I usually buy 7-10 comics a week, so I read a lot. Besides IDW books, I read a lot of Marvel and Image books. Usagi Yojimbo is my favorite comic of all time.
TSS- If you could write for any comic book artist out there right now, who would it be?
BC- It's a long list, but i'd love to work directly with Valerio Schiti again, who did the art on a comic I wrote called "Battle Beasts". Unfortunately he's currently working with some unknown named Brian Michael Bendis on "Guardians of the Galaxy". He's slumming it, I guess.
TSS- Any advice for newcomers in the comic book industry?
BC- It's simple but very hard: just make comics. Any which way you can. Doesn't matter if they are stapled together at Kinkos, just complete a story and get it to exist in physical form. Seeing things through to completion, even if the end result is kind of crappy, is key. Then do it again, and again, and again. Eventually, if you have the determination to stick with it, you'll get good. And if you are legitimately good, you will get noticed— it's still a pretty small industry.
TSS- What was your first paid industry gig?
BC- An Assistant Edtior at IDW— a little over 5 years ago.
TSS- I always like to open the floor to my interview subjects to share and/or plug anything or offer advice...Anything you'd like to get out there?
BC- Just a very heartfelt thanks to all of the TMNT fans out there. It's a tremendous honor to be nearing the #50 mark, and to have such wonderful, creative, supportive fans.
TSS-Thanks again for your time and happy new year.
BC- Thank you!
Washington friends...Don't forget about the Comic Book Swap Meet on January 31st!!!
Steve Strout is the media mastermind behind this site, host of the Comic Book Swap Meet, nerd, terrible artist, gamer, convention goer and comic book reader who spends more time rescuing toys from thrift shops than a normal adult should. He is also known around the northwest for his promotion of live music and stand-up comedy events and is the creator/producer of the Comic Book Swap Meet mini convention, and Olympic Peninsula Comedy Competition (which will make it's big return in 2015). Follow him on Instagram at http://instagram.com/thestevestrout, and He can be reached for comments at ptcomedy@yahoo.com on twitter at @thestevestrout
BC- Thank you!
Washington friends...Don't forget about the Comic Book Swap Meet on January 31st!!!
Steve Strout is the media mastermind behind this site, host of the Comic Book Swap Meet, nerd, terrible artist, gamer, convention goer and comic book reader who spends more time rescuing toys from thrift shops than a normal adult should. He is also known around the northwest for his promotion of live music and stand-up comedy events and is the creator/producer of the Comic Book Swap Meet mini convention, and Olympic Peninsula Comedy Competition (which will make it's big return in 2015). Follow him on Instagram at http://instagram.com/thestevestrout, and He can be reached for comments at ptcomedy@yahoo.com on twitter at @thestevestrout
Wednesday, January 14, 2015
Comic Book Swap Meet final guest revealed!
I've been mentioning a "Walking Dead" announcement for the Comic Book Swap Meet, so it brings me great pleasure to finally announce a special guest joining us...a special Walker guest!
We will be joined on January 31st , by actor William S Hart. William Hart is an Atlanta based actor, who dabbles in special effects makeup. He has been in several highly rated television shows and indie films, and is a veteran on the convention circuit, having appeared at the prestigious Dragon Con, Walker Stalker Con, along with many other "nerd" cons.
William has portrayed numerous "Walkers" on the Walking Dead. He most notably portrayed the Walker that bit Herschel Greene's leg, causing him to lose it in the season 3 premiere.
Be sure to come to the Comic Book Swap Meet and meet this great up and coming actor. He will be available for photos and signing stuff for Walking Dead fans throughout the day. Bring that W.D. merch for him to sign, and he will probably have awesome prints for sale too!
Don't worry, he won't bite...no promises though.
Please share on social media and use the hashtags
#walkingdead #comicbookswapmeet
I will be at Wizard World Portland so track me down and say hi! Hope to see some of you in Portland and at the Comic Book Swap Meet!!!
Thanks, Steve!
Steve Strout is the media mastermind behind this site, host of the Comic Book Swap Meet, nerd, terrible artist, gamer, convention goer and comic book reader who spends more time rescuing toys from thrift shops than a normal adult should. He is also known around the northwest for his promotion of live music and stand-up comedy events and is the creator/producer of the Comic Book Swap Meet mini convention, and Olympic Peninsula Comedy Competition (which will make it's big return in 2015). Follow him on Instagram at http://instagram.com/thestevestrout, and He can be reached for comments at ptcomedy@yahoo.com on twitter at @thestevestrout
Tuesday, January 13, 2015
Comic Reviews: Ant Man and Lady Killer
Review by Joe David Thompson
This past week was an eventful one for Marvel, with the thrilling debut of Agent Carter on ABC and the debut of the lackluster teaser for the upcoming film adaption of Ant-Man.
This past week was an eventful one for Marvel, with the thrilling debut of Agent Carter on ABC and the debut of the lackluster teaser for the upcoming film adaption of Ant-Man.
Having not found much to get excited about in the teaser (in my opinion!), I greeted the release of the latest iteration of the Ant-Man comic with a wary eye. I thought the book was going to be Marvel's way of paving the road for the upcoming film by introducing, or reintroducing, the character to unfamiliar readers and longtime fans, cashing in along the way.
I'm happy to report that I couldn't have been more wrong. While there is some element of that at work, Ant-Man is far more than just those cynical dismissals. Writer Nick Spencer (Morning Glories) drops us into the tortuous world of Scott Lang with a bang. Grounding the action, Spencer weaves the story of the divorced and nearly poverty stricken Lang trying to reconnect with his daughter, and he does it all with loads of wit and charm. While there can be some pages or scenes that border on being so wordy the page feels crowded, Spencer gives us a book we must spend time with rather than devour in one quick gulp. Ramon Rosanas' artwork soars both when he's delivering action scenes or stretches of dialogue. Rosanas is skilled at brings depth and realism to the page.
My second recommendation for this past week is the bloody nostalgia of Lady Killer out on Dark Horse. Billed as "Betty Draper meets Hannibal," Lady Killer is the story of Josie Schuller, an early 60's housewife who is far more deadly than anyone suspects. Written by Jamie S Rich and Joelle Jones (Jones also provides the stunning art), Lady Killer launches with a spectacular bloody opening. This first issue is stunningly paced, keeping the action just a few steps ahead of the reader. Jones' art is eye catchingly pop and belies a true affection for this era in our history. Don't sleep on this one!
Honorable mention goes to Warren Ellis' latest issue of Trees, which found the book finally delivering something more than idea rich conversations in the form of big action. Looking ahead, I think we're all ready for Jason Aaron and John Cassaday's first issue of Star Wars on its new home at Marvel.
What books were your faves this week? What books are you looking forward to?
Joe David Thompson has been doing media reviews for websites such as Red Carpet Crash and the 405 Music Blog. For any questions or comments for Joe David Thompson, you can email him at jovid52@me.com and follow him on twitter @jovid52
Sunday, January 4, 2015
Comic Book Swap Meet info!!!
114 W First St., Port Angeles, WA www.animekat.com
220 Tyler St., Port Townsend
360-565-6595 or www.digeeink.com
360-379-1278
If you live on the Olympic Peninsula or plan to visit, be sure to check out these great nerdy shops, and if any businesses that want to get involved as a sponsor for our mini conventions or on this site, please contact Steve at ptcomedy@yahoo.com .
Were also approaching a site viewer milestone really soon, so you know what that means...CONTEST and GIVEAWAY!!! Stay tuned!!!
Steve Strout is the media mastermind behind this site, host of the Comic Book Swap Meet, nerd, terrible artist, gamer, convention goer and comic book reader who spends more time rescuing toys from thrift shops than a normal adult should. He is also known around the northwest for his promotion of live music and stand-up comedy events and is the creator/producer of the Comic Book Swap Meet mini convention, and Olympic Peninsula Comedy Competition (which will make it's big return in 2015). Follow him on Instagram at http://instagram.com/thestevestrout, and He can be reached for comments at ptcomedy@yahoo.com on twitter at @thestevestrout
Comic Review: The Double Life Of Miranda Turner
Review by Steve StroutI really enjoy supporting indie and creator owned projects, so I was more than happy to check out the latest issue of The Double Life Of Miranda Turner issue #5 from MonkeyBrain Comics. This is my first delve into this particular title, so here's what I get from it. I know, I'm not the usual review guy, but I really liked this fun little comic.
First off, I really enjoyed the writing. Written by Jamie Rich, it seems like the book is aimed at a younger audience, but the story is well written and brilliantly illustrated enough to keep me interested, though more than a few have referred to me as a big kid. This is definitely a "fun for all ages" story.
Like I said, this is my first experience with the series, so my take on the plot is this:
The story follows Miranda Turner, who has taken over the secret identity of her superhero sister, Lindy aka The Cat, who had been murdered. Miranda has taken over the helm as the Cat and is searching for her sister's killer, with the help of Lindy's ghost. I thought that was a really cool and original idea, personally. In this issue #5 she encounters another superhero ally of the original Cat who assumes she killed and stole the identity. Miranda refuses to tell her she is actually the original Cat's sister and a fight ensues between them until the real villains show up leading to a team up. I really liked the main story line of the search for the Cat's killer, but running in to unique bad guys to keep the hero's on their toes.
The art in this book is bold, colorful, and right to the point. The art isn't over done, and it absolutely compliments the writing. I think artist, George Kambadais tells the story in his drawing, perfectly!
This issue will be released this week on Comixology, so pick it up there, or go check out MonkeyBrain Comics. I checked out their site really fast, and for a smaller publisher, they have a heck of a lineup of creators on the roster. Their other books have to be great! http://www.monkeybraincomics.com/
Steve Strout is the media mastermind behind this site, host of the Comic Book Swap Meet, nerd, terrible artist, gamer, convention goer and comic book reader who spends more time rescuing toys from thrift shops than a normal adult should. He is also known around the northwest for his promotion of live music and stand-up comedy events and is the creator/producer of the Olympic Peninsula Comedy Competition (which will make it's big return in 2015). Follow him on Instagram at http://instagram.com/thestevestrout, and He can be reached for comments at ptcomedy@yahoo.com on twitter at @thestevestrout
Thursday, January 1, 2015
Comic Review: Dynamite Entertainment's The Avenger
Review by Joe David ThompsonWith a deep nod to pulp magazines, Dynamite Entertainmet released a new Avenger special starring Richard Benson ("The Avenger" or "The Man of a Thousand Faces") and his Justice Inc. crew.
Titled "The Television Killers," writer Mark Rahner (The Twilight Zone, Army of Darkness/Reanimator) blends a tale of sci-fi horror with a more human tale of racial violence and unrest. The result, for me, is what equals an uneven reading experience. Rahner leads with what is a wonderfully sensational tale of ordinary citizens turned into cannibalistic maniacs. Rahner thankfully skips the easy route by avoiding zombies and tracing the switch to the rise of a very important technological development.
It's a great idea that would feel right at home on a Twilight Zone or even Doctor Who episode. It's also an idea that seems to stay woefully underdeveloped, deferring to the secondary tale of the book that also overshadows what should be the main plot of the book. In this story, legendary singer Billie Holliday enlists the Avenger and Justice Inc. to help protect her from the threats as racial violence. Holliday is set to debut her powerful new song, "Strange Fruit," on television, something that could be so subversive that a group of racists will stop at nothing to prevent the broadcast.
What we end up with in this case is a book that feels uneven, even with the tenuous link between the two stories here. As the Avenger gets more entrenched in Holliday's story, we never quite sense the urgency for resolution in the "zombie" tale. Racism and racial violence is such strong subject matter that we're hardwired to care more about that outcome. I feel like there are two potentially good stories here that belong in separate books.
The art has a certain cartoonish quality that also doesn't feel quite in line with the racial story, but Edu Menna shines when capturing the bigger scenes of cannibal crowds and giant robots. Adriano Augusto's rich colors pop on every page.
Joe David Thompson has been doing media reviews for websites such as Red Carpet Crash and the 405 Music Blog. For any questions or comments for Joe David Thompson, you can email him at jovid52@me.com and follow him on twitter @jovid52
Joe David Thompson has been doing media reviews for websites such as Red Carpet Crash and the 405 Music Blog. For any questions or comments for Joe David Thompson, you can email him at jovid52@me.com and follow him on twitter @jovid52
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